I spent last ten days in NY, working on the Hamptons’ project mostly. Thankfully, there was a window of time to enjoy the city and explore a couple of current exhibitions. Giacometti at the Guggenheim. “Heavenly Bodies: Fashion and The Catholic Imagination” at The Met Cloisters. I picked these two because of their architectural setting. For me, experiencing how the buildings complemented the shows was just as relevant.
A project you designed, when built, may present itself in ways that were ultimately unpredictable. Picturing a space with a degree of certainty is an acquired skill, and a scaled model is an invaluable tool for training your eye. It just makes it much easier to imagine what a room will feel like, to anticipate the spatial experience within it.
I appreciate IKEA’s trend of partnering with various companies to produce limited edition collections. For instance, a “splashy” new line with Dutch studio Scholten & Baijings capitalizing on a beloved DIY pastime of hacking off-the-shelf products. IKEA wants to be part of it too!
Having just come across a post advocating putting wheels or casters on furniture, I am thinking out loud. Enhancing versatility with casters is a terrific concept. Unless the piece in question is intended to be a certain height, like a desk, and it would be ergonomically awkward to raise it. Clearly, it’s always better to build in wheels right from the start, not as an afterthought.
A generic statement, such as: “In this bright white modern space, the architect used clean lines, a minimalist palette, and simple shapes to create…” can succinctly describe my intentions for a tiny bathroom and adjoining kitchenette I am in the process of planning. Although it sounds formulaic, it’s anything but. Trends come and go; the object is to design with the site-specific requirements in mind.
I’ve written extensively about a collaboration with a wonderful client while designing an in-home child-care facility. We successfully got the project approved by the City of Santa Monica. You can read about our process here, here, and here. Finally, it’s under construction; the client is selecting/purchasing windows for a built-in window seat at the moment.
As architect on demand, I help DIYers with design-related questions. But it doesn’t stop there. My career is my calling; the work is passionately intertwined with personal growth. Yes, the main focus is the design and construction of my own life centered on infusing every day with meaning, lived to the highest DIY standards of lifelong learning.
Second installment of the workshop felt like the fastest three hours ever! In awe with the participants’ commitment, I admired and respected their passion for learning — the way they were striving to stretch their comfort zone — developing, acquiring knowledge and expanding existing skills. It made me think of life as work-in-progress.
Although nervous and uncomfortable promoting my own system, I’m compelled to recommend it. I teach a strategy of organizing thoughts aimed at generating a parti, a launch pad for an architectural design. The process is quite simple; it’s outlined in my how-to ebook DIY Like an Architect: 11-step method.
Cornice molding (AKA crown molding) is a decorative trim and a topmost element that marks a transition between wall and ceiling. Parts of it are placed against both horizontal and vertical surfaces. Most of the time it’s purely ornamental; however it can also function as an intriguing light cove.