When people ask me what my style is, I usually go to something like: “I don’t have a style. It’s all about functionality.” I’d rather talk about my inspiration. I identify with the process and work of Richard Serra.
Richard Serra. Band. 2006 Steel
I have the affinity for the twisting walls of steel that Richard Serra creates. They are simultaneously the enclosure and the boundary. I’m mesmerized by undulating lines of thick rusted metal that is manipulated into a sculpted space (or environment) in which “a viewer can experience universal qualities of weight, gravity, agility, and even a kind of meditative repose.”
Richard Serra — an inspiration
In 2011 I saw Richard Serra. Verb List. 1967–68 Graphite on paper, 2 sheets, each 10″ x 8″ at The Museum of Modern Art. It struck me. A simple list. It’s clear: the act of making implies multiple ways of interacting with material. Not only that I could relate to it, it reminded me of the collages I’ve been making.
These verbs and conceivable contexts resonate with me. Richard Serra once said: “There’s a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that’s all art can be.” Art, architecture, design, all of it is made through a series of deliberate actions.
I’d rather not put a label on my style — it’s personal
Even if there is a client involved, what I do is for myself. My style is a toned-down mix of modern, minimal (but warm), and rustic. It’s “streamlined with industrial leanings.” I have affinity for:
- clean lines
- natural materials
- industrial or raw components/textures
- repurposed elements
- timelessness: mixture of old and new, vintage and contemporary
- neutral, calming palette
My own work is not so much about style, but about the experience or engagement with space, the way it encloses, surrounds, encircles, and keeps its distance. Richard Serra is an inspiration.