The other day, I heard Jessica Murray, an astrologer, state that image-generating capacity of the human mind determines what happens. At this point in my career, it’s an undisputed truth. As an architect, I envision something, draw it up, and it materializes. Seeing my personal life as a work of art, on the other hand, is a skill I had to work hard to develop.I went through image-generating training in Architecture School. Still remember that freshman year,
This blog is my diary. I write about what interests me. Recently, I’ve been grappling with astrology. It started as an attempt to be of service — daughter Mia is launching a fashion brand inspired by the zodiac. Well… My first birthchart took longer than a month to analyze. I thought it would be impossible to penetrate another one, but couldn't just give up. So, I figured out how to gain proficiency and streamline the process. By breaking up a ton of information into
A client wants to build a deck at the top of her steep hillside property. The view from there is breathtaking! Unfortunately, structural requirements make it prohibitively expensive. In addition, the obligatory 25-foot-wide side yard deems the project impossible to implement at the location we're considering. Well, I am not giving up just yet. There must be a feasible solution right at our fingertips. Actually, what if we create a free-standing rooftop structure over the existing roof?
You've heard a great deal about my project in Bridgehampton; it's been a year in development. Finally, the first stage of construction has started — we are repurposing a free-standing rustic garage into a guest house. I am busy making sure that all of the elements come together seamlessly. Still refining the design for a closet that doubles as a staircase leading up to a new loft.
I spent last ten days in NY, working on the Hamptons’ project mostly. Thankfully, there was a window of time to enjoy the city and explore a couple of current exhibitions. Giacometti at the Guggenheim. “Heavenly Bodies: Fashion and The Catholic Imagination” at The Met Cloisters. I picked these two because of their architectural setting. For me, experiencing how the buildings complemented the shows was just as relevant.
Having just come across a post advocating putting wheels or casters on furniture, I am thinking out loud. Enhancing versatility with casters is a terrific concept. Unless the piece in question is intended to be a certain height, like a desk, and it would be ergonomically awkward to raise it. Clearly, it’s always better to build in wheels right from the start, not as an afterthought.
A generic statement, such as: “In this bright white modern space, the architect used clean lines, a minimalist palette, and simple shapes to create…” can succinctly describe my intentions for a tiny bathroom and adjoining kitchenette I am in the process of planning. Although it sounds formulaic, it’s anything but. Trends come and go; the object is to design with the site-specific requirements in mind.
I’ve become a big fan of a Russian journalist Leonid Parfyonov recently. Watching weekly diary-format installments of his video blog Parfenon. Living vicariously through his reports of cultural news including visits to art exhibits, theater performances, and architectural landmarks. As someone born in St. Petersburg, I've been glued to a computer screen for hours watching Parfyonov-narrated tele-documentaries, paying attention to his interpretation of the history and present state of affairs in Russia. My latest obsession is the inspiring film about the work of Professor Sergei Prokudin-Gorskii, an inventor and a pioneer in the field of color photography.
Second installment of the workshop felt like the fastest three hours ever! In awe with the participants’ commitment, I admired and respected their passion for learning — the way they were striving to stretch their comfort zone — developing, acquiring knowledge and expanding existing skills. It made me think of life as work-in-progress.
I’ve frivolously associated Jasper Johns — his flags — with 9/11 up until last Sunday. That’s when I encountered the artist’s extensive retrospective Jasper Johns: Something Resembling Truth at the Broad. The exactness and graphic quality of the work, its planned proportions, meticulous fabrication, and methodical repetition engaged, captivated, and inspired to seek explanations. Thus, I set out to educate myself about the artist and his subject matter.